Archives
ZIRK & PEOGO
from december 8 to december 30, 2023
18 rue de la Calade — Arles
Soum Eveline BONKOUNGOU Soum Eveline Bonkoungou was born in Ouagadougou, Burkina Faso, in 1992. She starts out by assisting event photographers for 2 years, then meets Burkinabe photographer Adrien Bitibaly, who introduces her to auteur photography.
In 2021, she takes part in the mentoring program at Photosa, Ouagadougou’s biennial photographyfestival. The same year, she joins CERPHOB (Cercle des Photographes du Burkina) and becomes a member of the festival’s organizing committee. In 2023, she exhibits her project Zirk at the second edition of Photosa. She carries out a creative residency at the Leschangeurs cultural center in Agbodrafo, Togo. In collaboration with the Bauhaus Universität Weimar, Germany, she creates theproject M’YINGA, mon corps, exhibited in late 2022 and early 2023.
In June 2023, Eveline begins a residency at the Manuel Rivera-Ortiz Foundation, where she works with Florent Basiletti on her artistic projects. She is also responsible for coordinating artists during the Les Rencontres d’Arles festival. During the Fotohaus Berlin 2023 program, Eveline projects her Peogo series, and organizes a meeting- projection around her work Zirk at Scharaun, Berlin. Sheexhibits Zirk and Peogo in Arles, in December 2023, at the Fondation MRO.
In January and February 2024, Eveline exhibits her Zirk series at the Goethe Institut in Ouagadougou, and in April 2024 her Peogo series at the Emoi photographique festival in Angoulême.
Zirk is a form of Islamic meditation in which phrases or prayers are chanted repeatedly. In Sufi Islam, Zirk refers to both the act of remembering and the prayers used in these acts of recollection. Coming from a Muslim family, this is the religion of my childhood. My parents were the ones who decided what I should believe and what path I should follow in my religious practice. All these questions arose from the realization that I didn’t feel in tune with my own convictions, and that I didn’t feel a divine connection in my relationship with Islam. “For me, faith is personal” she said.
Peogo is a traditional basket offered at weddings in Burkina Faso (the bride’s basket or Pougpal Péogo in Mooré). These dishes are the pride of some couples and are often used for important occasions or as trophies by families. However, thispractice is less and less common, as young Burkinabé couples find these dishes cumbersome. This work is accompanied by recorded testimonials and stories about this tradition, which has been handed down from generation to generation. It reveals the objects that make up the Peogo, such as the calabash, the sieve and the spatula, generally kitchen utensils described as indispensable to the young wife when she joins her husband’s court.
partners : Embassy of France in Burkina Faso, Goethe-Institut Ouagadougou, Photosa - biennale photographique du Burkina Faso, Atelier SHL, La Kabine
from november 3 to december 30 2023
18 rue de la Calade — Arles
Portes insulaires The Portes insulaires exhibition program is an invitation to unknown, shifting territories; an exploration of tributaries, through sediments, to meet their inhabitants. Deceptively wild worlds, marked by a strong sense of belonging, with the ambition of ultimate control mixed with a striking powerlessness
We set off to discover the Danube delta, the second- largest delta in Europe after the Volga, with a surface area of 3,446 km2; a protected natural region that has been a Unesco World Heritage Site since 1991. Camilla de Maffei captures this territory through the four seasons, meeting its inhabitants and discovering the source of the river, which rises in Germany, in the Black Forest mountains, and ends in the Black Sea. This delta is Europe’s largest wetland area, five times the size of the Camargue, with only 13% of the total surface area on dry land.
Mathias Benguigui takes a look at the Rhône delta, the Camargue delta. A land of myths, fantasies and legends. An oasis of biodiversity under socio-political pressure and an unprecedented environmental crisis. A land of contradiction, with a sense of isolation and ileity, but also boosted by tourism through its wild and idyllic image.
In the Mediterranean and Provence, water control is very important, shaping the economy and its livability. A sense of direction (Le sens de l’orientation) allows us to map territories and better understand them. Elizabeth Guyon creates this cartography by walking to the rhythm of the water along the Canal de Craponne. This Renaissance canal irrigates and fertilizes a large part of the Crau, the arid steppe left by the paleo delta of the Durance. Elizabeth creates encounters with a perspective of sharing, capturing the echo between water and dialogue.
Artists
BENGUIGUI Mathias, DE MAFFEI Camilla, GUYON Elizabeth et LUZ Joana
Curator BASILETTI Florent
Curator BASILETTI Florent
from july 3 to september 24, 2023
18 rue de la Calade — Arles
Grow Up Grow Up is a programme of exhibitions, offering a cross-section of views on the movement of plants around the world. Cradle of biodiversity and environmental tensions, the twenty or so artists are based in South America, Central America and Taiwan.
Each focus highlights the relationship between plants and humans, exploring the local relationships of a territory but also international ones. This geographical scale cuts across political, social and environmental narratives and issues, as well as post-colonial issues. From the Amazon, to Costa Rica, to Taiwan, the projects cross master plants, shamanism, drugs but also the sensitive exploration of a territory.
This relation to plants is central, they are sacred and at the heart of local cultures and beliefs, Grow up wishes to cultivate and increase awareness of our relationship with living things. Fotohaus is invited to extend this programme with Nature et Société.
Artists
ATOCHA Pepe, BELTON Teo et GOUPIL Florence, BRASEY Thomas, COP Steph et PÖRNECZI Bálint, CROZE Céline, DE LATTRE Matthias, DINIZ José, ESCANDÓN Arguiñe et GROSS Yann, HENRY Nicolas, HERNÁNDEZ BRICEÑO Andrea, LAGHOUATI-RASHWAN Samir, LATHUILLÈRE Marc, MORAES Gabriel, NISSEN Mads, PROTTI Tommaso, RENARD Antoine. HSU Cheng-Tang, KUO Che-Hsi, WU Chuan-Lun. ALBANO Verdiana, CHAPUIS Isabelle, SCHAEFER Philippine, LesAssociés, Docks Collective, fiVe collective.
Guest curators BEAUSSE Pascal, BOGET Christel, CHANG Meg, MELLO Ioana, KEHRER Klaus.
Curator BASILETTI Florent
Ayañawi
Pepe ATOCHA
Plants communicate with each other and with their environment. During two years of immersion in the jungles of Peru, Pepe Atocha uses an experimental process to capture the essence of plants. After a three-week ayahuasca retreat with Shipibo healers, the artist decided to photograph with fire, a vision that came like a gentle, silent dance to the rhythm of the wind.
The Amazon has been shaped by man for centuries, its composition the product of the work of indigenous peoples, the series is composed of portraits of healers and portraits of trees. At a time when traditional medicine is being defeated by a virus, the Shipibo healers remind us that we can heal ourselves by taking care of nature and ourselves.
curator Florent BASILETTI
PROJECTION
Cumbia’s day
Teo BELTON & Florence GOUPIL
Cumbia’s day. The oral tradition is the breath of the Earth. In Peru, thirty-seven indigenous languages have become extinct in the last hundred years. The indigenous elders and chiefs are disappearing and, with them, the living memory of the Earth and its biodiversity.
Cuidantsiqmi: Love and care for the land. The Quechua-Wari indigenous people, living in the Cordillera Blanca in Ancash, Peru, are facing an environmental disaster that puts their lives in danger. First, there hasbeen an important melting of the ice caps. Now, drought and extreme heat have destroyed their agriculture and complicated their access to drinking water, affecting their physical and mental health. In the Ancash region, the high rate of malnutrition continues to grow.
curator Florent BASILETTI
partners The National Geographic Society’s Emergency Fund for Journlists, The Wellcome Trust Foundation
Boaventura
Thomas BRASEY
In 1819, driven by starvation and economic crisis, about 2000 Swiss people emigrated to Brazil. After a deadly journey, they founded the town of Nova Friburgo in the mountains surrounding Rio de Janeiro. Their new lands, which were supposed to allow the development of a
profitable agriculture, barely provided enough to feed, and the settlers scattered. Some returned to Rio where they lived in poverty and crime, others headed North where coffee could be grown, and made prosperous business there, particularly thanks to slavery.
curators Florent BASILETTI, Klauss KEHRER
partners Kehrer Verlag
from September 29 to December 24, 2022
at 18 rue de la Calade - Arles
Ascendance brings together fifteen artists offering unique perspectives on the notion of human rights. With the invitation of Francesca Todde, in residence at the Foundation, and a collaboration with the Act on your future Foundation, 13 emerging artists have been selected as finalists or winners of the Human Rights Photography Award.
Curator Florent BASILETTI
Partners Fondation Act on your future, Atelier SHL, Boutographies, Théâtre du Centaure
La Nation Subtile
Francesca TODDE
La Nation Subtile is a collection of different researches about the relationship between animals and humans. The people we meet - who are able to bring new perspectives to this interaction - form a kind of nation. Whether they are researchers, shepherds, acrobats or bird trainers, they are interested in how another species uses the world. The images try to tune into lost sensations, Francesca proposes a new interpretation of the world through an attention to the perspective of other species, broadening the contents of the human-animal bond.
partners Atelier SHL, Boutographie et le Théâtre du Centaure
Noms Inconnus
Zoé Aubry
In his form of thinking, his work is about freedom, anxiety, research, cohesion, connivance, playing with critical and political issues. Positioning her work between a societal and media critique, her research and works are structured around the problematic of the modes of view and the transformation of the formats of perception, interrogating the uses and actions related to the erased names of victims of systemic and structural murders. Damaged, the anti-images she uses act, activate, arm, suture and reconstitute themselves in a collective movement.
partner Fondation Act on your Future
Corpus
Guillaume DELLEUSE
In a certain way, all of Guillaume Delleuse's photographs are portraits. Portraits of cities, portraits of streets, portraits of bodies, portraits of the vulnerabilities of a society and the stigmas of the individuals that compose it. The obvious hardness of the images hides an attentive relationship with this world of wrinkles, scars, and inglorious bodies that are offered or stolen. Tattoos that are so many fakes, evaporated hopes or derisory costumes. An attentive complicity which puts together, image by image, the puzzle of our anxieties and our questions. François Bazzoli
partner Fondation Act on your Future
from march 4 to may 28 2023
18 rue de la Calade — Arles
Beyond a specific discipline, Gilles conveys multiple expressions in whic the fabric of stories is woven, mixed, imprinted with emotions, aiming totranscribe the elegance of the moment, borne by a constant flow of inner music. As a dancer, he carries his energy towards an elsewhere, without borders, while being framed by the grid of the world, in particular through his architectural studies. Dance offers intervals like the dial of time and space and allows to adjust the vital flow that links beings and makes things feel. Gilles provokes this fleeting and succinct space-time to make it light. The exhibition Space between things is a retrospective of Gilles Massot's work, whose common thread is the history of the image, its manufacture and reproduction. The exhibition is above all a question about the multiple connections that make up Gilles Massot's multidisciplinary work, bringing together traces of a large part of his life as an artist and a traveling historian. The sequences in the exhibition refer to the process that underlies his work; a process that has seen him make connections between narratives, techniques, occurrences and parts of the world over the years. The selection of works engages as a deciphering of the artist's ideas and reflections on our relationship to the image, to photography and to creation; time and space, two themes at the heart of his quest. A pioneering look at the mixing of mediums, through theory, Gilles reveals a complex white space, an image in the making or already past and thus invisible. He offers us a rewriting of the history of photography, from the beginnings of one of the first photographic reporters, Jules Itier, to the mysteries of the pyramids of Egypt. The whole confronts globalization with the diversity and multiplication of uses.
Curator Florent BASILETTI
18 rue de la Calade — Arles
Beyond a specific discipline, Gilles conveys multiple expressions in whic the fabric of stories is woven, mixed, imprinted with emotions, aiming totranscribe the elegance of the moment, borne by a constant flow of inner music. As a dancer, he carries his energy towards an elsewhere, without borders, while being framed by the grid of the world, in particular through his architectural studies. Dance offers intervals like the dial of time and space and allows to adjust the vital flow that links beings and makes things feel. Gilles provokes this fleeting and succinct space-time to make it light. The exhibition Space between things is a retrospective of Gilles Massot's work, whose common thread is the history of the image, its manufacture and reproduction. The exhibition is above all a question about the multiple connections that make up Gilles Massot's multidisciplinary work, bringing together traces of a large part of his life as an artist and a traveling historian. The sequences in the exhibition refer to the process that underlies his work; a process that has seen him make connections between narratives, techniques, occurrences and parts of the world over the years. The selection of works engages as a deciphering of the artist's ideas and reflections on our relationship to the image, to photography and to creation; time and space, two themes at the heart of his quest. A pioneering look at the mixing of mediums, through theory, Gilles reveals a complex white space, an image in the making or already past and thus invisible. He offers us a rewriting of the history of photography, from the beginnings of one of the first photographic reporters, Jules Itier, to the mysteries of the pyramids of Egypt. The whole confronts globalization with the diversity and multiplication of uses.
Curator Florent BASILETTI
GILLES MASSOT
ARTIST, THEORIST, HISTORIAN
His visual arts practice deals more specifically with the theory of photography and its relationship to time and space. He teaches at LASALLE - College of the Arts in Singapore. He has received the French cultural distinction of Chevalier des Arts et des Lettres. After studying architecture and photography in Marseille, he moved to Singapore in 1981. His participation in the local art scene saw him involved in a series of art events. In the 1990s, he traveled extensively throughout Asia and Europe, a lifestyle that resulted in over fifty exhibitions and an extensive body of editorial work published in various magazines in Asia and Europe. In 2010, he is developing a research on Jules Itier who made the first daguerreotypes of China, the Philippines, Sri Lanka, Singapore and Vietnam in 1844-45. Under the name of his alter ego Professor Ma, he is also pursuing a research on the parallels and crossings between the respective histories of photography and quantum mechanics.
EVENT
OPENING ON FRIDAY, MARCH 3, 2023 AT 7PM
To replay Art of Parties, the foundation proposes a series of party happenings with the archives of the 90's parties in Singapore. Magical nights until 2am.
FIRE AND ICE - FRIDAY, MARCH 3, 2023
MAGIC NIGHT - SATURDAY, APRIL 9, 2023
EXOTIC CABARET - FRIDAY, MAY 19, 2023
WHITE PARTY - SATURDAY, MAY 27, 2023
rsvp e.knapp@mrofoundation.org
Guided tour program to come.
Blood Orange
Naranja de Sangre
Liza AMBROSSIO
It all starts with a mental image: an orange that bleeds. Infected with the aesthetics of Japanese counterculture and Aztec rituals of human sacrifice as a form of poetics, Liza Ambrossio mixes performance, spatial intervention, video, installation, techniques of psychological manipulation, science fiction, eroguru, and witchcraft.
curators Florent BASILETTI, Klaus KEHRER
partners Kehrer Verlag, ChromaLuxe
The Savage, the Fool and the Bear & The Mamuthones
Michela BENAGLIA & Antonio D’AMBROSIO
Savages, Fools and Bears are represented in traditional myths and ancestral rites around the world in the form of anthropological masks that are at times very similar to each other. The masks are creatures from a parallel universe. They live inside every human being, they are the expression of our deepest and most ancestral instincts. Beasts or Monsters who do not need to hide the Man inside them.
In Mamoiada, a pagan rite is celebrated whose origins are lost in the mists of time. At the centre of the ritual are the Mamuthones and the Issohadores: two male characters who, although dressed differently and seemingly in contrast, are in fact complementary, inseparable and indisputable. The ritual begins with the dressing up, which reaches its climax when the Mamuthones and Issohadores put on their masks.
curators Chiara RUBERTI, Enrico STEFANELLI
partner Photolux Festival
Spiritual Fabrics
Delphine BLAST & Bruno CATTANI
In Fleurs de l'Isthme, the photographer portrays Zapotec women, who have become icons of Mexican and indigenous femininity. The seriality of the portraits materializes this community of powerful women and their sisterhood. The clothing is placed at the centre as a marker of their identity, in a refined decorum that leaves room for the details of the materials (velvet, satin, lace, flowers) and the individuality of the models.
Vodoo is a series of photographs made in Benin and Togo in 2019 about voodoo rituals. Benin is the place where Voodoo was born. In this tradition live the rituals of the Egungun, the living ghosts of Benin, Togo, and other parts of West Africa. Each Egungun appears in the form of a robed figure, giving the impression that the deceased is making a temporary reappearance on Earth. This impression is reinforced by the voluminous costumes of the Egungun; the fabrics and patterns they use express the power of the ancestor.
curator Agathe KALFAS
partners Atelier SHL, Filip, Tienda Esquipula
Sous les Jupes
Robin BLOCK DE FRIBERG
It was during a trip to Japan that the idea for the Under the Skirts series emerged. In this country, all telephones are calibrated to trigger a sound or light alarm as soon as one wants to take a photo, however banal it may be, a system put in place to track down male perverts in public transport. This is the starting point for a personal reflection on this garment and the latent voyeurism that surrounds it.
curator Florent BASILETTI
du 21 mai au 12 juin 2022
au Palazzo Duccale — Lucca, Italie
Embarquez pour un roadtrip sur le chemin de l'amour en territoire kurde.
Afin de questionner l’intersection entre lutte contre le patriarcat et lutte d’indépendance kurde Laura Lafon entame un documentaire à l’est de la Turquie sur l’amour. What is love ?
Mais Laura ne voyage pas seule. Accompagnée par un amant photographe, Martin Gallone, leur duo est source incessante de questions. Commence alors un dialogue de jeu photographique. Comment les jeunes kurdes envisagent et vivent l’amour dans un contexte très traditionnel ? Que représente le fantasme du couple libre occidental ?
Les autoportraits de leur couple inventé se mêlent aux mises en scène réalisées avec les jeunes kurdes. Lafon questionne les hommes, le sexe, l’amour, le mariage, ces paroles nous font naviguer entre amours interdites, traditions et patriarcat suffoquant.
You could even die for not being a real couple, rappelle que l’intime est politique. C’est un dialogue à la fois tragique et drôle sur les constructions sociales de l’amour et les contextes culturels de son exercice. Une autofiction qui nous entraîne dans une histoire d’amour au Kurdistan, ce pays qui se bat pour exister.
Afin de questionner l’intersection entre lutte contre le patriarcat et lutte d’indépendance kurde Laura Lafon entame un documentaire à l’est de la Turquie sur l’amour. What is love ?
Mais Laura ne voyage pas seule. Accompagnée par un amant photographe, Martin Gallone, leur duo est source incessante de questions. Commence alors un dialogue de jeu photographique. Comment les jeunes kurdes envisagent et vivent l’amour dans un contexte très traditionnel ? Que représente le fantasme du couple libre occidental ?
Les autoportraits de leur couple inventé se mêlent aux mises en scène réalisées avec les jeunes kurdes. Lafon questionne les hommes, le sexe, l’amour, le mariage, ces paroles nous font naviguer entre amours interdites, traditions et patriarcat suffoquant.
You could even die for not being a real couple, rappelle que l’intime est politique. C’est un dialogue à la fois tragique et drôle sur les constructions sociales de l’amour et les contextes culturels de son exercice. Une autofiction qui nous entraîne dans une histoire d’amour au Kurdistan, ce pays qui se bat pour exister.
Laura Lafon (1989. Toulouse) est photographe, éditrice et directrice artistique de Gaze, la revue des regards féminins. Elle est aussi à l'initiative de Lusted Men, une collection de photographies érotiques d’hommes.
Elle aime les images, en faire, en collecter, en commander... et voit la photo comme un jeu doté d’un énorme pouvoir : représenter de nouvelles visions du monde.
Martin Gallone (1990. Provence) est photographe et réalisateur. Membre de l’artist-run space La Nombreuse à Bruxelles. Il réalise des projets à long terme dans lesquels les frontières entre travail documentaire et vie personnelle s’effacent.
Depuis 2015 avec Nicolas Catalano il documente la scène musicale bruxelloise sous le nom ‘La Straussphère’.
Commissaire d’exposition Florent BASILETTI.
Partenaire PhotoLux Festival.
Merci à nos équipes, à l’artiste, au commissaire et, en particulier, aux partenaires de l’exposition.
du 15 avril au 9 juin 2022
au 18 rue de la Calade — Arles
This exhibition The Dignity of Gypsies gathers photographs taken by Christine Turnauer between
2011 and 2016, initially in India – to where we can trace back the roots of the Gypsies, then in
Eastern Europe, where her travels took her to Romania, Bulgaria, Hungary, Kosovo and Montenegro.
The different trades photographed create a bridge between the Indian nomads and the Gypsies of
Eastern Europe. All her travels have given rise to inspiring and moving photographs.
On the second floor, this exhibition also presents a Homage to my friends Gitanos with photographs taken mostly in Arles in 2019. During her “Presence” exhibition staged as a co-production between KLV Art Project and the City of Arles’ Culture department in Saint Anne’s Chapel in 2018, the photographer Christine Turnauer forged friendships that inspired her to make a tribute to her friends Gitanos from Arles and the Camargue in this retrospective exhibition of her work on the Gypsies presented at the Manuel Rivera-Ortiz Foundation from April to June 2022.
This personal exhibition brings together almost 125 black and white photographs over the Foundation’s three floors.
Christine Turnauer’s photographs on Gypsies were previously presented for the first time in Austria at the Forum am Schillerplatz in October 2017, with the release of her photo book “The Dignity of Gypsies” published in two languages (English, German) by Hatje Cantz in Europe in 2017 and D.A.P Publishing for the United States in 2018. This book, as well as some collector’s prints, were also exclusively presented in San Francisco (2018, KLV Art Project) and Shanghai (2018, KLV Art Project).
On the second floor, this exhibition also presents a Homage to my friends Gitanos with photographs taken mostly in Arles in 2019. During her “Presence” exhibition staged as a co-production between KLV Art Project and the City of Arles’ Culture department in Saint Anne’s Chapel in 2018, the photographer Christine Turnauer forged friendships that inspired her to make a tribute to her friends Gitanos from Arles and the Camargue in this retrospective exhibition of her work on the Gypsies presented at the Manuel Rivera-Ortiz Foundation from April to June 2022.
This personal exhibition brings together almost 125 black and white photographs over the Foundation’s three floors.
Christine Turnauer’s photographs on Gypsies were previously presented for the first time in Austria at the Forum am Schillerplatz in October 2017, with the release of her photo book “The Dignity of Gypsies” published in two languages (English, German) by Hatje Cantz in Europe in 2017 and D.A.P Publishing for the United States in 2018. This book, as well as some collector’s prints, were also exclusively presented in San Francisco (2018, KLV Art Project) and Shanghai (2018, KLV Art Project).
Christine Turnauer (1946-) started her photographic career in Paris where she apprenticed to various photographers. From 1974 to 1976, she was the assistant to Frank Horvat, and then until 1979 she worked as a freelance photographer. In 1979, she emigrated to Alberta, in Western Canada, where she pursued various photographic projects, the most important one being the portraits of North-American Native Indian traditional dancers.
In 1992, a publication of her work with the title Portraits was published in Canada and in 2019, in Europe and the United States, under the title I saw more than I can tell by Hatje Cantz and D.A.P Publishing. This series of photographs was notably on show at the Weltmuseum in Vienna from May 2021 to January 2022.
Since her return to Europe in 1995, she has traveled to Japan, Romania, Ethiopia, Jerusalem, India, Greece, Turkey, and Mongolia to pursue her photographic work. In 2014, her series of black-and-white portraits from these travels and encounters was published under the title Presence by Hatje Cantz. It was exhibited in Vienna in 2014 and in Arles in 2018 (KLV Art Project and the City of Arles).
Her new photographic project concentrates on the dignity of the Gypsies, which took her to the North-West of India where the roots begin, and then through Romania, Hungary, Bulgaria, Montenegro, and Kosovo. The book The Dignity of the Gypsies was published by Hatje Cantz in Europe in September 2017 and D.A.P Publishing for the United States in 2018.
In 2018, during her exhibition Presence in Arles, she was fortunate to meet some of the Gypsies of Arles. They became friends, which inspired her to make a tribute to her friends Gitanos from Arles and from the Camargue region, also on show in this exhibition.
Curator Karine LISBONNE.
Partners KLV Art Projects, Le Forum Culturel Autrichien.
Thanks to our team, to the artist, to the curator and, particularly to the partners of the exhibition.
Les Chants de l’Asphodèle
Mathias BENGUIGUI & Agathe KALFAS
Asphodel Songs is a four-handed work mixing text and images, carried out by Agathe Kalfas and Mathias Benguigui on the island of Lesbos between 2016 and 2020. Navigating at the borders of documentary and fiction, this long-term work invites to a new reading of this highly mediatised territory’s contemporary issues, by bringing together traces of the past, mythology and migration’s collective memory...
curator Lionel CHARRIER
partners Atelier SHL, ChromaLuxe, Fujifilm France
Au bord du Réel
Jean-Christian BOURCART
Jean Christian Bourcart offers us strange, hallucinatory shapes, ghostly, improbable characters which pop out from an image generator and invade and contaminate the photographic archives of a small Breton village.
Artificial surfaces collide with areas of reality, a fantasized space where truth and falsehood come together, past and future clash and seduce each other. Superposition of layers that reveal material of the virtual and virtuality of the material...
curator Thierry MERRÉ
partner HASY Galerie
Sauvegarde Retrouvée 2.0
Jérôme CORTIE
In 1977, the Villeneuve-de-la-Raho reservoir in the Pyrénées Orientales was built, flooding pre-existing cultures. Many years later, while researching the bottom of the dry lake, “chemigrams” were found.
Sauvegarde retrouvée 2.0 is an exhibition that unfolds a fictional space during an archaeological excavation of the future. The researchers no longer have any recollection of the analogic past of photography…
curator Luce LEBART
partners Atelier SHL, ChromaLuxe, Ecole nationale supérieure Louis Lumière
Drop Out
Hoël DURET
The film Drop Out is an anticipatory, climate-fiction tale that follows its narrator to New Zealand in search of a cure for the upcoming climate crisis. In a territory where man has recently settled, he thinks he can discover an alternative to old societies that no longer accept being dependent on their environment. As he shares the writing of his film with a group of students, general confusion spreads across the island. The health crisis of spring 2020 catches up with the writing and its catastrophic fiction is insidiously close to reality...
curator Florent BASILETTI
partner ChromaLuxe
Surviving Humanity
Alberto GIULIANI
SURVIVING HUMANITY explores the future of humanity. Climate change, demography, nuclear war, migrations, pandemic. In the coming decades, according to expert opinion, we will face enormous challenges. And for the first time in history, we will be dealing with our survival. This work explores what science is doing around the world to face the future. SURVIVING HUMANITY meets those unknown men and women handling with our destiny and narrates places where a human being is organizing his resilience…
curator Enrico STEFANELLI
partner PHOTOLUX
from July 4th to September 26th 2021
at the 18 rue de la Calade — Arles
Échos système is an exhibition program focusing on the uncertain, changing living world. The artists’ various approaches immerse us in current issues involving migration (Les Chants de l’Asphodèle, Mathias Benguigui and Agathe Kalfas), memory (Sauvegarde retrouvée 2.0, Jérôme Cortie; Cuba, Manuel Rivera-Ortiz), and feminism (Les Marques, Elsa Leydier). Virtual and augmented reality (Au bord du réel, Jean-Christian Bourcart) and archives (AMC Seeds, Archives of Modern Conflicts ; Time Atlas, Niina Vatanen) shape a fresh vision and perception of the living world and the social relations resulting from it. These narratives express our fears through the imagination (D’ici, ça ne paraît pas si loin, LesAssociés)—or violence (American Mirror, Philip Montgomery). These visions explore the aspects of the individual, the solitude (Métropolis, Barbara Wolff), gender (Identité et masque, Anno Wilms), or eroticism (Behind Desire, Chaussee 36), in connection with the theme of Fotohaus, Persona. An interrelated system facing a multitude of questions today, including health (Sauver les corps, LesAssociés/ParisBerlin), ecological and political ones (Drop Out, Hoël Duret), asks questions about the future of humankind (Surviving Humanity, Alberto Giuliani).
Exhibition Curators
Marc BARBEY, Florent BASILETTI, Anne-Marie BECKMANN, Christel BOGET, Lionel CHARRIER, Klaus KEHRER, Luce LEBART, Mathilde LEROY, Timothy PRUS, Chiara RUBERTI, Enrico STEFANELLI.
Marc BARBEY, Florent BASILETTI, Anne-Marie BECKMANN, Christel BOGET, Lionel CHARRIER, Klaus KEHRER, Luce LEBART, Mathilde LEROY, Timothy PRUS, Chiara RUBERTI, Enrico STEFANELLI.
Grand partners 2021
ChromaLuxe, Fotohaus
Partners 2021
AMC, Arte, Atelier SHL, Chaussee 36, Collection Regard, Deutsche Börse Photography Foundation, Fujifilm, Freundeskreis Willy-Brandt-Haus, HASY Galerie, Institut français Berlin,Kehrer Verlag, LesAssociés, Les Filles de la Photo, ENS Louis-Lumière, ParisBerlin>fotogroup, Picto, PHOTOLUX, Stiftung Anno Wilms, Total Allemagne, WhiteWall
Events
July 7th at 5pm
Preview and launch of the exhibitions with the artists and curators
from July 4th to July 11th
During the opening week, come along for a meeting, a visit, a debate, or just a look !
Thanks to our team, our artists, our curators and, in particular,
to the Rencontres d'Arles and our partners 2021.
Photobooks
available at our library
Here are our exhibitions’ corresponding photobooks, write to us if you wish to reserve a signed copy.
June 29th to September 20th, 2020
at the 18 rue de la Calade — Arles
These are unprecedented times. We have all been impacted but our work continues. Yes we want to open our doors and our arms to invite you to the MROF summer 2020 exhibition Pioneers.
We strive to open for you, our visitors who numbered 40,000 last year, and for the 23 artists and curators who put their hearts into this program. With our partners, especially ChromaLuxe our grand partner, we join to support those who shine a light on the challenges of our time. And moreover, we strive to open for the people and causes portrayed on our walls.
In Arles, the capital of photography, the MRO Foundation gives voice to men and women who move beyond the boundaries of their own limits, outside society’s established norms of humanity and environment.
In our 600 square meters of exhibition space, socially safe and within all established health guidelines, Pioneers will bring in the resonance of photographers, videographers, sound designers, activists and citizens committed to improving our lives and enlarging our consciousness of the world’s diversity
Curators
Nicolas HAVETTE, Nicole BERTOLT, Lionel CHARRIER, Audrey HOAREAU.
Grand partner 2020 ChromaLuxe
Partners 2020 Ministère de la Culture République de Chine (Taiwan), Centre culturel de Taiwan à Paris, Hospice Général, Universal Music Francce, Cohérie Boris Vian, Fujifilm, Action Collective Temporaire Blinkl, Les lectures électrique, Atelier SHL.
HEY! WHAT’S GOING ON?
at the Manuel Rivera-Ortiz Foundation
View the 2019 Press Kit →
July 1st to September 22nd, 2019
at the 18 rue de la Calade — Arles
Hey! What’s going on? Marvin Gaye’s album What’s Going On delivered the sublime message of universal love, perfectly expressed on the album’s cover art with an expressionless, yet serene, face standing in the rain. This is the attitude called for by the Manuel Rivera-Ortiz Foundation. Forgotten songs are reawakened from the United States, China, Ukraine, Brazil, Italy and Taiwan.
In a time of dictatorships and authoritarian regimes, where populism and sectarianism have found fertile ground from which to spread new world disorganization, the program Hey! What’s Going On? rings out like a call to consciousness, to dignity and to peace, while keeping a special attention to the forgotten population of the big media’s focus.
Curators
Nicolas HAVETTE, Madj, Nicolas LEVY, Laura SERANI, Ioana DE MELLO, Laura NOBLE, Enrico STEFANELLI.
Grand partner 2019 ChromaLuxe
Partners 2019 CPAFFC, Centre culturel de Taiwan à Paris, Universal Music France, Motown, Iandé, PHOTOLUX, Atelier SHL, Johein Technology Inc.
July 2nd to September 23rd, 2018
at the 18 rue de la Calade — Arles
HOPE explores the formal possibilities of the image as document and the document as an agent of knowledge and understanding of contemporary issues. HOPE presents photography as an experience, a sharing. It presents the work of people who have chosen to create images, sometimes in parallel with their professions, to influence their lives and environment. Photographers are not merely witnesses, but become actors, using all the means available to them: from camera to smartphone, from artist’s book to Instagram collection.
Exploring this exhibition will be a ritual, sometimes solemn, sometimes playful, always heartfelt, for awareness is inseparable from emotion and study.
Refusing to categorize the world through an established documentary esthetic, the Manuel Rivera-Ortiz Foundation shares with you the creative energy of the international documentary scene.
Curators
Nicolas HAVETTE, Alain MINGAM, Cathy EDELMAN, Anette SKUGGEDAL, Enrico STEFANELLI.
Grand partner 2018 ChromaLuxe
Partners 2018 Ministère de la Culture de la République de Chine (Taiwan), Centre culturel de Taiwan à Paris, Diaphane, CASE Art Fund, Le Magasin des Jouets, LUMINA Gallery, Muscari, PHOTOLUX, Atelier SHL.
Enri CANAJ
Ismail FERDOUS
Edith PIAF
fotofever
Tony GENTILE
Pablo Ernesto PIOVANO
View the 2017 Press Kit →
July 3rd to September 23rd, 2017
at the 18 rue de la Calade — Arles
THE ARLES DOC’HOUSE is the third summer exhibition organized by our Foundation in the 17th-century-mansion Hotel Blain. We are commited to presenting the public with leading-edge documentary projects that are impacting, thoughtful and inspiring from our curatorial point of view - everconscious of puting forth powerful and eloquent stories that addresshumanity, social justice, and other issues of our times.
This year’s summer program examines documentary from serveral perspective: the life of a singer (Edith Piaf with Universal Music France), the gaze of our laureates (Enri Canaj and Ismail Ferdous, 2016 MRO Prize winners), the journey of Mafia (Tony Gentile presented by PhotoLux) or our newest partners Tënk and Fotofever’s selection.
The Manuel Rivera-Ortiz Foundation, with the support of the City of Arle,s stands today as a cornerstone of humanist photography and film in Southern France ; defending documentary works in a unique and socially responsible perspective.
Curators Nicolas HAVETTE, Tanguy DAIRAINE, Cécile SCHALL, Enrico STEFANELLI.
Partners 2017 DigitaliveProduction, OFF Productions, fotofever, PHOTOLUX, Atelier SHL, Tënk, EXALUX, Structures.
Dominic NAHR
Patrizia BONANZINGA
Laurence BONVIN
Pablo Ernesto PIOVANO
Rubén SALGADO ESCUDERO
Rony ZAKARIA
Hyong-Ryol BAK
View the 2016 Press Kit →
July 3rd to September 23rd, 2017
at the 18 rue de la Calade — Arles
THE ARLES DOC’HOUSE is the third summer exhibition organized by our Foundation in the 17th-century-mansion Hotel Blain. We are commited to presenting the public with leading-edge documentary projects that are impacting, thoughtful and inspiring from our curatorial point of view - everconscious of puting forth powerful and eloquent stories that addresshumanity, social justice, and other issues of our times.
This year’s summer program examines documentary from serveral perspective: the life of a singer (Edith Piaf with Universal Music France), the gaze of our laureates (Enri Canaj and Ismail Ferdous, 2016 MRO Prize winners), the journey of Mafia (Tony Gentile presented by PhotoLux) or our newest partners Tënk and Fotofever’s selection.
The Manuel Rivera-Ortiz Foundation, with the support of the City of Arle,s stands today as a cornerstone of humanist photography and film in Southern France ; defending documentary works in a unique and socially responsible perspective.
Curators Nicolas HAVETTE, Peter PFRUNDER, Dimitri BECK, Sunghee LEE.
Grand partners 2016 ProHelvetia
Partners 2016 The Swiss Foundation of Photography, Fotostiftung Schweiz, Foundation GoEun, PHOTOLUX, Fidal, Atelier SHL.
Simo AAGADI
Édouard BEAU
Laurence BONVIN
Pablo Ernesto PIOVANO
Titus SIMOENS
Ask for the 2015 Press Kit →
November 12th, 2015 to January 20th, 2016
at the 18 rue de la Calade — Arles
THERE, WHERE THE SOUND COMES FROM is the title of the exhibition, taken from Edouard Beau’s video on the Islamic state in 2014. The head of the Kurds commands his men NOT to shoot, to remain still and be patient, and to listen to where the sound of gunfire is coming from. In the darkness, sounds becomes the only references... Eyes shut, ears open, mind focused, no shooting... And of course, out of nervous stress, fear and ignorance of what’s happening, there as anywhere, men retaliate, senselessly, shooting their ammunition into the dark night.
For this second exhibition in Arles, the MRO Foundation invites you to listen to the sounds of the world, thanks to the rigorous selection of photographers and video makers, one can source these sounds and their outcomes.
With Edouard Beau, we track Irak’s early 21st century History.
With Titus Simoens we listen to the mountains in China and to what young boys are taught. With Laurence Bonvin we listen intensely to displaced communities in Capetown. With Pablo Ernesto Piovano we measure the terrible human aftermath of chemical treatments on agricultural land in Argentina, the result of fatal / lethal deals between huge agri-food firms and Argentina. While Simo Aagadi’s sculptures move us, in the here and now, with traces of migrants’ bodies rocked and tossed.Photographs, films, sound and interactive performances document those infra-sounds that fly under the threshold of media scrutiny.
These artists introduce us to men and women caught up in a world not of their choosing. The purpose of these exhibitions is not to enshrine the artists but to show steps in their work, to share their thought process and concern for our world. This is a triangular discussion involving artists, the men and women shown in the images, and us.
Curators Nicolas HAVETTE
Grand partners 2015 PHOTON Labo Photo Pro
